Munotida Chinyanga is an anti-disciplinary director and immersive performance maker creating socially engaged, audience-centred work that blends theatre, installation, and game structures.
Don’t Talk to Strangers, a participatory pop up café where goods are social risks. Disguised as familiar vendors, performers invite audiences to choose from a menu of interactions, and pay by exchanging memories, favours, confessions, or small acts of care.
Leo Doulton is an interactive theatre-maker creating game-based, audience-led performances that explore power, choice, and collective storytelling.
Of The Free is an immersive game-show set on an imagined island inviting audiences to shape new narratives of the British Empire. Participants are divided into groups - metropole and periphery, rulers and dissenters - and collaboratively build stories of resistance through negotiation, play and collective imagination.
Matilda Feyiṣayọ Ibini is a theatre-maker and filmmaker whose work centres disabled, Black and queer lives through storytelling that interrogates systems of power and care.
A.I.D.A.И is a science-fiction theatrical exploration of the intersection of artificial intelligence, disability and the future of care. Set in a near-future UK, the show follows a disabled woman assigned a humanoid robotic carer through a government cost-saving scheme, and draws on lived experiences of navigating the UK adult social care system.
Pepa Duarte is an actor, improviser, and theatre-maker working across participatory and socially engaged performance.
El Trueque is an interactive show that transforms a traditional market stall into a portal for memory and migration. Two actor-improvisers open an auction house that rejects money in favour of barter, where audience members are invited to "buy" valuable home objects in exchange of their own stories.
Gilded Tongue are a multidisciplinary performance duo creating politically engaged work that draws on movement, ritual, and queer/trans perspectives.
A Family Gathering is a site-specific performance set around a dinner table, exploring family structures. Audience members are assigned roles through prompts and directly shape the interaction. The piece shifts from recognisable family dynamics into a surreal, glitching environment, combining live interaction and movement.
Elena Nenasheva is a theatre director with a strong focus on political and socially engaged site-specific theatre.
Being (b)old is new immersive performance exploring ageing from scientific, bodily and social perspectives. The show is inspired by interviews of older people and explore generational dynamics and youth representation in contemporary culture. Taking place across multiple rooms, the piece explores social and psychological questions related to ageing through audience participation.
Margot Przymierska's work sits at the intersection of participatory performance and community engagement, and aims to amplify migrant and working-class voices.
Monument is an interactive performance weaving between two worlds: post-WWII Czechoslovakia, where a failed artist-turned-apparatchik oversees construction of the world's largest Stalin monument; and contemporary London, where a Polish builder constructs luxury flats while navigating exploitation, isolation, and the hollow promise of success in Europe.
Victoria Yuan-Yi Ying & Arati Kang Ting Ho are a duo working at the intersection of food, performance, and participatory practice.
A Spoon of…?! is a participatory performance centred on the live making of broth. Drawing on early modern recipe books from the Wellcome Collection, the work explores how women’s healing knowledge has been recorded, erased, or controlled. Through silent, embodied action, layered sound, and audience participation, the piece examines gender, migration, and the politics of care.
Devanshi Rungta is an interdisciplinary artist and curator working across participatory performance and community storytelling.
The Price of Leaving transforms Leadenhall Market into a temporary migrant marketplace and asks: what do migrants carry that has no market value? Pop-up stalls are staffed by migrant performers selling the unmeasurable: a grandmother’s recipe, the smell of a city you can’t return to, a lullaby in a language your children don’t speak. Audience members receive tokens and spend them at stalls, entering intimate exchanges.
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